Frequently Asked Questions

A free consultation is a phone or video call (or email exchange if preferred), where you ask questions about my editing process and I ask questions about your project. This helps both of us determine whether we’re a great fit before you commit.
I take a collaborative approach. I aim to preserve your voice while tightening prose, clarifying structure, removing wordiness, and enhancing readability. My edits are practical (clear notes and tracked changes) and thoughtful (focused on resonance and craft).
I bring professional editorial experience across academic and creative contexts. I’ve worked with researchers, entrepreneurs, first-time authors, ESL clients, and seasoned writers preparing manuscripts for publication or submission. My approach is grounded in both precision and narrative clarity.
Yes. I often work on Christian literature, memoir, business/professional development, grants, devotionals, and creative nonfiction. I also enjoy editing fiction—especially work that is allegorical, character-driven, or thematically rich.
I schedule projects in advance. Timelines depend on word count, level of editing, and current workload, but I’ll always work with you to meet your deadlines whenever possible.

Turnaround depends on manuscript length, editing level, and schedule. I’ll estimate delivery dates before the project begins and update you if anything shifts.
Costs vary by service type (developmental, line, copyedit, proofreading), manuscript length, and turnaround needs. I’ll provide a personalized quote after reviewing your manuscript or sample. (You can also refer to ballpark rates listed under Services.)
Yes. Flexible payment options are available. Typically, a deposit reserves your spot and the balance is due on delivery. Ask for details when you request your quote.
Yes—when feasible. Rush projects may incur an expedited fee, so it’s best to book editing before you’re under pressure.
Yes. For developmental and line edits, I often include an editorial letter summarizing big-picture issues and recurring patterns. Style sheets can be included upon request.

There are four common editorial levels: developmental (big-picture structure), line editing (clarity and flow), copyediting (mechanics and consistency), and proofreading (final errors). Not sure which fits your manuscript? Ask about a manuscript assessment—a diagnostic review and recommended next step.
Editing doesn’t always reduce word count, but tightening, clarity improvements, and structural revisions can often shift it. If you want to preserve or reduce total words, just let me know.
Word documents (.doc/.docx) with Track Changes are preferred. Using Word makes the process clearer and more efficient for both of us. If you need help with files from other formats (Google Docs, Pages, etc.), let me know!
Absolutely. I encourage clients to ask clarifying questions after receiving edits. We can handle these via email or schedule a call if you prefer.
Communication is usually by email. If you prefer regular check-ins or Zoom calls, we can arrange a schedule that works for you.

Please let me know about any material you’d like handled with sensitivity—such as violence, trauma, or mature themes—so I can edit with your intentions in mind.
While I prepare manuscripts to their strongest form, editorial work does not guarantee publication or acceptance by agents or publishers. My goal is to elevate your work so it stands its best chance in the marketplace.
Yes—I respect your intellectual property. Rights and provisions are included in my contract and I am willing to sign extra documentation if needed.
Yes, depending on the service. Evaluations, developmental guidance, and sample chapter edits are available for works in progress. Full copyediting and proofreading require a complete manuscript.

The Editor’s Margin